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Art history majors are encouraged to pursue, with faculty guidance, a senior thesis: the preparation, writing, and public presentation of a piece of advanced art-historical research in any area of art history. Previous theses include the following:

• 2022 — “The Metamorphosis of Medium: Considering Maura Wilson Schneider’s I Heart You as a Digital Comic,” Hannah Beshey
• 2022 — “Trauma and Queerness in the Art of Francis Bacon,” Will Borda
• 2022 — “Comme des Garçons: The Role of Antifashion and 1960s Western Fashion in Creating Modern Androgynous Dress,” Azamat Fuller
• 2022 — “Fabricated Unity in 16th-Century France Represented through the Valois Tapestries,” Sohom Pal
• 2022 — “Out of Reach: Touch, the Viewer, and Eva Hesse’s Accessions,” Leah Steding
• 2022 — “Experiencing Grief through Goya’s Disasters of War Series,” Sophie Wojdylo
• 2022 — “The Trapped Empress: Elisabeth and Titania through the Interplay of Fantasy and Reality,” Rei Yamada
• 2020 — “Erotic Cloth Reconsidered: The Intersection of Erotic Aesthetics and Commercial Influences in the Production of Kikugawa Eizan’s Selections from the Brocade Quarter E-awase kingaisho,” Maggie Coleman
• 2020 — “The Dialectics of Early Sixteenth-Century Botanical Illustration,” Owen Daley
• 2020 — “Beyond the Calm Exterior: An Analysis of Santa Teresa de Jesús by Jusepe de Ribera 1591-1652,” Kaity Moore
• 2020 — “The Secret Lives of Things: The Use of Everyday Objects in Ilya Kabakov’s Art to Depict the Soviet Reality,” Nicole Rosengurt
• 2020 — “The Renewal of the Tifereth Israel Synagogue: A House of Study,” Kelly Yu
• 2019 — “Tracing Western Influence on Japanese Modernist Painting: A Study of the Bijinga �ұ�԰���,” Amelia Geser
• 2019 — “Statues in Fragonard’s Picturesque Gardens,” Jiayun Chen
• 2019 — “Disability in Greek: Hephaestus,” Vivien Makos
• 2018 — “From Graffiti to Market: Contemporary Artists and the Commercialization of Graffiti and Street Culture,” Chris Baumann
• 2018 — “The Narrative Textile: Paula Nicho Cúmez’s Weaving of Form,” James Caruso
• 2018 — “Inheritance and Reinvention in Zao Wou-ki’s Abstraction,” Claire Ma
• 2018 — “Subversion in Japanese Youth Culture: The Art Books of Yoshitomo Nara,” Sonja Spain
• 2018 — “Divine Sorrow: Ethics and Violence in Ana Mendieta’s Iowa Period,” Ellen Taylor
• 2017 — “Staging the Politics: A Life Portrait of Emperor Yongzheng,” YanYan Liu
• 2017 — “Cruel NightMares: The Role of British Print Culture in the Moralization against Horse Cruelty from 1750-1850,” Donna Brunnquell
• 2017 — “Hungry, Thirsty Roots: Exploring Victorian Female Appetite and Suppression Thereof,” Hannah Zucker
• 2017 — “An Affective Space: Lygie Clark’s Anthropophagic Installation ‘A casa é o corpo: penetração, ovulação, germinação’,” Murielle O’Brien
• 2017 — “Speculative Spaces: The Case of Marion Mahony Griffin,” Rebekah Rennick
• 2017 — “Mending the Gap: The Reconciliation of the ‘Lesbian’ and the ‘Female’ in Joan Snyder’s 1970s Paintings,” Lauren Toppeta
• 2017 — “On the Edge of Shanghai: Postmodern Critique in Andrew Cheng’s ‘Welcome to Destination Shanghai’,” Fenyi Wu
• 2017 — “From History to Heaven: Gold in the Church of Santo Domingo,” Xena Fitzgerald
• 2015 — “Early Sonia Delaunay: The Avant-Garde at Home,” Eliza Harrison co-winner of Phi Beta Kappa, Beta of Iowa, Scholar’s Award, Spring 2016
• 2014 — “Portraying Jewish Identity in Dreyfus-Era France: Changing Approaches to Picasso’s Portrait of Gertrude Stein,” Hannah Safter
• 2014 — “Art in American Diplomacy: Fallacies, Phalluses, and Freedom,” Remy Ferber
• 2014 — “Wes Peters’s Pearl Palace: Expressing Nationalism in Modernist Persia,” Emily Sortor
• 2014 — “Zaha Hadid: Building the Unbuildable,” Kathlyn Cabrera
• 2010 — “The Depression and the Curve: American Streamlined Design at the Rise of Modernism,” Isabel Miller
• 2008 — “Higher Powers Commanded: Sigmar Polke and Painting after Painting,” Rex Unger
• 2008 — “Re-Framing Minimalism: Literalism and Illusionism in the Contemporary Gallery,” Jonathan Patkowski
• 2008 — “Self-Portrait of a Tahitian: Essentialism and Identity in the Work of Amrita Sher-Gil,” Stephanie Cox
• 2008 — “Ardengo Soffici’s Cubo-Futurism,” Liza Newman
• 2007 — “Socialist Realism and the Evolution of Stalinist Official Culture, 1920–1940,” Nicole Reiner
• 2007 — “Adelita: Enrique Chagoya’s Recast Heroine,” Julia McHugh
• 2006 — “T. J. Clark and the Postmodern Perspective on Manet’s Modernism,” Nicole Reiner
• 2006 — “Ambiguity and the Subversion of Ideology: Arte Povera, Luciano Fabro, and Michelangelo Pistoletto,” Patrick Waldo
• 2006 — “Towards Liberation and Abstraction: Haiti as a Trope of Resistance in Modern African American Art,” Alfredo Rivera
• 2006 — “In Volumes, Shapes, and Shades: Filming Abjection in Shirin Neshat’s Zarin,” Katherine Rochester
• 2005 — “Serving Structures, Transcendent Tapestries: The Power of the Prototype in the Architecture and Art of Modern Weaving,” Katherine Rochester
• 2003 — “It’s A Girl Thing: When Lesbian Art Met Culture in the 1990s,” Allison Dolan
• 2003 — “Fashion as the Language of Modernity,” Jenni Wu
• 2002 — “This Film Has Been Formatted to Fit Your Screen: Consequences of Frame Erasure in Visual Media,” Carrie Robbins
• 2002 — “Jolán Gross-Bettelheim: The American Prints,” Emily Stamey
• 2001 — “The Persona of Los Angeles Pop Artists in the 1960s: Negotiating Cultural Conflict with Business Cards, Tuxedos, and Motorcycles,” Elizabeth Ferrell winner of Phi Beta Kappa, Beta of Iowa, Scholar’s Award, Spring 2001